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The Name of the Game. It Takes a Thief. Mission: Impossible. In the late 60s/early 70s, those shows were the gold standard of a genre I’d coin as adventure capers. Its ingredients are irresistible: charming do-gooders and con men (or women) with fabulous wardrobes and looks to match. Always in play was a large sum…
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After the death of Mary Tyler Moore about a week ago, many notables wrote about Ms. Moore’s influence on everything from fashion to career. Most were women who saw her as a role model, a beacon of possibilities in a changing world that now seems so distant we forgot we were once there. She made…
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For us union performers, the names Ken Howard and Patty Duke were synonymous with leadership; both served as president of the Screen Actors Guild at pivotal transition times. Duke famously took over the reins from William Schallert, a case of TV-bred nepotism (Schallert played Duke’s character’s father and uncle). More recently Howard shepherded the merger…
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The very first play I saw on Broadway was the original production of D.L. Coburn’s The Gin Game. By then, Hume Cronyn and Jessica Tandy had left, and been replaced by E.G. Marshall and Maureen Stapleton. No matter: it was still a once-in-a-lifetime evening watching those two deliver performances so perfect they made me weep….
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We had a few things in common. Both of us were sons of the midwest (he hailed from Chicago; I was born in Cincinnati). Both of us were born on July 21. About the last–I once worked as an extra on one of his films. It was Cadillac Man, and I was thrilled, though not…
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It looks like a hole in the world. Among many other thoughts, that’s what struck me when I finally got a chance to see the 9/11 Memorial Plaza few weeks back. Symbols exist for a reason, and the architects of our country’s newest grief repository have hit on just the right one; it’s hard not…
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Rarely the lead; usually a guest; embodies either the saint, or the devil; appears everywhere at once: such is the definition of a working character actor, which James Rebhorn was throughout a laudable career that unfolded mostly on television, though he had his moments on the big screen too (The Talented Mr. Ripley as Matt…
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Calling him the Master wouldn’t begin to cover it. He was everything you’d want in a character actor. He could be funny and tragic, often at once (Capote); he could be imperious or blustery (The Master), yet he was capable of conveying great tenderness and vulnerability (as the lovelorn techie in Boogie Nights, and as…
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One of the first Hitchcock blondes. When she won her Oscar for his Suspicion in 1942, she was the youngest best actress winner ever (at the age of 24). Check out the Times obit here. RIP.
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Two favorites: O’Toole with Audrey Hepburn in How to Steal a Million. What an ultra, and the end of an era–check out UK’s Guardian obit here. RIP.
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